A Safe Space for Unsafe Ideas
PART 1 Water Pure Stillness without flavors of absolute total clarity my own light exposed as yours how I do understand my peace you actually deeply caring about what I feel certainties about presence, clarity about definitions of commitment and fidelity me feeling heard and seen you spit out the first, even though you love
Now, Washington and its commentariat, in 2026, have a brilliant new idea: The High Iranian Pain Threshold.
Smuggled out of the Iran Iraq War at age four with exactly two suitcases, Arash Sedighi channels the gritty survival of his refugee childhood into uncompromising British cinema
The water coursing through the basement tubes calls me back to my work. It’s probably toilet water I’m hearing. The noise is reassuring.
Get lost with the whore of Babylon.
Barbara van Ittersum works between staged fiction and portraiture and creates psychologically and psychopathically charged visual scenes called Barbarizsm.
Given everything that is happening, and I say this without a hint of irony, I’m saving the irony for the year 2026.
Before Iran began charging for the Strait of Hormuz, the Strait of Hormuz was charging Iran — and no one was paying.
“The security guard said you were aggressive.” “He asked me to return the books and I gave them back to him.” “He said you hit him with them.”
"Not merely more gas, we've had quite enough of left wing wind and art-talk guff."